PVNCTVRE, 2024
PVNCTVRE, 2024

Translucent leather, cross-stitches, meat hooks

26 in (h) x 19 in (w) x 14 in (d)

Detail of "PVNCTVRE"
Detail of "PVNCTVRE"
"SVTVRE," leather and light, 2024
"SVTVRE," leather and light, 2024
Detail of "SVTVRE"
Detail of "SVTVRE"
An Ambivalent Figure That Feels Like a Secret I'll Never Forget, 2023
An Ambivalent Figure That Feels Like a Secret I'll Never Forget, 2023

Leather, resin, steel.

85 in (h) x 26 in (w) x 25 in (d)

Detail of "ambivalent Figure," Photo by Amy Shelton
Detail of "ambivalent Figure," Photo by Amy Shelton
The Skin Feeling Like Physical Manifestations of Screams, 2023
The Skin Feeling Like Physical Manifestations of Screams, 2023

Archival research at Leather Archives and Museum (Focused on Samuel Steward / Phil Sparrow, a queer tattooer in the 60s), Warped copper pipe, poetic materials list on tattoo transfer paper, crumpled tattoo transfer paper, yellow thread, layered, glued, carved, resined leather, Sparrow’s flash tattooed onto leather

"The Skin Feeling Like Physical Manifestations of Screams," 2023
"The Skin Feeling Like Physical Manifestations of Screams," 2023

Install at Leather Archives and Museum

Detail of sculpture
Detail of sculpture
"A Figure that Is (Touchingly) Ambiguous," 2024
"A Figure that Is (Touchingly) Ambiguous," 2024

Leather, leather harnesses

38 in (h) x 22 in (w) x 20 in (d)

The Breaking Down Became a Proliferation / The Glitz and Glam Felt So Alive (Halloween 1989)" 2023
The Breaking Down Became a Proliferation / The Glitz and Glam Felt So Alive (Halloween 1989)" 2023

Heat-soaked and molded leather, leather harnesses and garter belts, mesh spandex, leather shredded into ostrich feathers, copper, prints

Glitz and Glam, detail
Glitz and Glam, detail
Glitz and Glam detail 2
Glitz and Glam detail 2
The Semaphore (and those little thieves that first sluice your matter then penetrate it
The Semaphore (and those little thieves that first sluice your matter then penetrate it

heat-soaked and molded leather, leather harnesses, warped copper gaskets, and other materials sourced from the trash at FERMI lab

"Diaries of Disintegrations and Petrifications" site-specific installation at leather archives and museum
"Diaries of Disintegrations and Petrifications" site-specific installation at leather archives and museum

Heat-soaked and molded leather, plumbing pipes, leather straps, resined rose-petals, photo-transferred prints, bed springs

"We Will Always Be Hungry, We Will Always Just Taste The Meshy Epiphany (Midnights)," boiled and molded leather, leather harnesses, handsewn iridescent plastic, nylon mesh, disco tiles
"We Will Always Be Hungry, We Will Always Just Taste The Meshy Epiphany (Midnights)," boiled and molded leather, leather harnesses, handsewn iridescent plastic, nylon mesh, disco tiles

2022

Site-Specific Installation for “Midnight Things” at The Martin, Chicago, IL.

Detail angle of "We Will Always Be Hungry"
Detail angle of "We Will Always Be Hungry"
It Takes What You Give (Rose-tinted Lenses)
It Takes What You Give (Rose-tinted Lenses)

December 2021

site-specific installation at Evanston Art Center

leather and light

A Date With the Stellar Deluge
A Date With the Stellar Deluge

A 1979 Chicago Tribune article detailed a night at Dugan’s Bistro — a renown disco club in Chicago. The children of the night arrived that night, clad in leather. For the installation, I recreated the lighting, and created imitations of the foam stars that would shoot onto the dance floor at the disco — out of leather.

Materials: Screenprints by depression press, leather stars, leather harnesses, leather jacket lining, painted chains, disco balls, light, fresnel lenses, and handsewn iridescent plastic.

A Disorderly House
A Disorderly House

Screenprints of a 1966 Chicago Tribune article that published the names, occupations, ages, and addresses of every man arrested a gay bathhouse.

site-specific installation at 3D4D x CSI

Keeping a House of Ill Fame
Keeping a House of Ill Fame

2021

Site-specific installation at 3D4D x CSI, leather and light

An abstraction of a Chicago gay bathhouse. Inspired by a 1966 article in the Chicago Tribune that published the names, occupations, ages, and addresses of every arrested man at a gay bathhhouse.

02C02B15-E962-4531-9E46-6478FE589BE8.jpeg
DD79553B-14A7-4925-A8B4-0CE17BA93A75.jpeg
"Tremulous Luxury" with Galina Schevchenko, leather, pearls, video animation
"Tremulous Luxury" with Galina Schevchenko, leather, pearls, video animation

2021

"Tremulous Luxury" detail
"Tremulous Luxury" detail
"Bull Zip" leather scraps, steel rods, o-rings
"Bull Zip" leather scraps, steel rods, o-rings
"Untitled Leather Study," leather scrap, steel rods, o-rings
"Untitled Leather Study," leather scrap, steel rods, o-rings

2020

What We Carry (Elephant)
What We Carry (Elephant)

2021

Fake leather bags

Creatures Between Shadow and Space, 2022
Creatures Between Shadow and Space, 2022

Upholster leather, woven leather, braided leather, zippers, glass, chandelier crystals, and steel.

Site-specific installation at The Robin at The Martin, Chicago, IL.

PVNCTVRE, 2024
Detail of "PVNCTVRE"
"SVTVRE," leather and light, 2024
Detail of "SVTVRE"
An Ambivalent Figure That Feels Like a Secret I'll Never Forget, 2023
Detail of "ambivalent Figure," Photo by Amy Shelton
The Skin Feeling Like Physical Manifestations of Screams, 2023
"The Skin Feeling Like Physical Manifestations of Screams," 2023
Detail of sculpture
"A Figure that Is (Touchingly) Ambiguous," 2024
The Breaking Down Became a Proliferation / The Glitz and Glam Felt So Alive (Halloween 1989)" 2023
Glitz and Glam, detail
Glitz and Glam detail 2
The Semaphore (and those little thieves that first sluice your matter then penetrate it
"Diaries of Disintegrations and Petrifications" site-specific installation at leather archives and museum
"We Will Always Be Hungry, We Will Always Just Taste The Meshy Epiphany (Midnights)," boiled and molded leather, leather harnesses, handsewn iridescent plastic, nylon mesh, disco tiles
Detail angle of "We Will Always Be Hungry"
It Takes What You Give (Rose-tinted Lenses)
A Date With the Stellar Deluge
A Disorderly House
Keeping a House of Ill Fame
02C02B15-E962-4531-9E46-6478FE589BE8.jpeg
DD79553B-14A7-4925-A8B4-0CE17BA93A75.jpeg
"Tremulous Luxury" with Galina Schevchenko, leather, pearls, video animation
"Tremulous Luxury" detail
"Bull Zip" leather scraps, steel rods, o-rings
"Untitled Leather Study," leather scrap, steel rods, o-rings
What We Carry (Elephant)
Creatures Between Shadow and Space, 2022
PVNCTVRE, 2024

Translucent leather, cross-stitches, meat hooks

26 in (h) x 19 in (w) x 14 in (d)

Detail of "PVNCTVRE"
"SVTVRE," leather and light, 2024
Detail of "SVTVRE"
An Ambivalent Figure That Feels Like a Secret I'll Never Forget, 2023

Leather, resin, steel.

85 in (h) x 26 in (w) x 25 in (d)

Detail of "ambivalent Figure," Photo by Amy Shelton
The Skin Feeling Like Physical Manifestations of Screams, 2023

Archival research at Leather Archives and Museum (Focused on Samuel Steward / Phil Sparrow, a queer tattooer in the 60s), Warped copper pipe, poetic materials list on tattoo transfer paper, crumpled tattoo transfer paper, yellow thread, layered, glued, carved, resined leather, Sparrow’s flash tattooed onto leather

"The Skin Feeling Like Physical Manifestations of Screams," 2023

Install at Leather Archives and Museum

Detail of sculpture
"A Figure that Is (Touchingly) Ambiguous," 2024

Leather, leather harnesses

38 in (h) x 22 in (w) x 20 in (d)

The Breaking Down Became a Proliferation / The Glitz and Glam Felt So Alive (Halloween 1989)" 2023

Heat-soaked and molded leather, leather harnesses and garter belts, mesh spandex, leather shredded into ostrich feathers, copper, prints

Glitz and Glam, detail
Glitz and Glam detail 2
The Semaphore (and those little thieves that first sluice your matter then penetrate it

heat-soaked and molded leather, leather harnesses, warped copper gaskets, and other materials sourced from the trash at FERMI lab

"Diaries of Disintegrations and Petrifications" site-specific installation at leather archives and museum

Heat-soaked and molded leather, plumbing pipes, leather straps, resined rose-petals, photo-transferred prints, bed springs

"We Will Always Be Hungry, We Will Always Just Taste The Meshy Epiphany (Midnights)," boiled and molded leather, leather harnesses, handsewn iridescent plastic, nylon mesh, disco tiles

2022

Site-Specific Installation for “Midnight Things” at The Martin, Chicago, IL.

Detail angle of "We Will Always Be Hungry"
It Takes What You Give (Rose-tinted Lenses)

December 2021

site-specific installation at Evanston Art Center

leather and light

A Date With the Stellar Deluge

A 1979 Chicago Tribune article detailed a night at Dugan’s Bistro — a renown disco club in Chicago. The children of the night arrived that night, clad in leather. For the installation, I recreated the lighting, and created imitations of the foam stars that would shoot onto the dance floor at the disco — out of leather.

Materials: Screenprints by depression press, leather stars, leather harnesses, leather jacket lining, painted chains, disco balls, light, fresnel lenses, and handsewn iridescent plastic.

A Disorderly House

Screenprints of a 1966 Chicago Tribune article that published the names, occupations, ages, and addresses of every man arrested a gay bathhouse.

site-specific installation at 3D4D x CSI

Keeping a House of Ill Fame

2021

Site-specific installation at 3D4D x CSI, leather and light

An abstraction of a Chicago gay bathhouse. Inspired by a 1966 article in the Chicago Tribune that published the names, occupations, ages, and addresses of every arrested man at a gay bathhhouse.

"Tremulous Luxury" with Galina Schevchenko, leather, pearls, video animation

2021

"Tremulous Luxury" detail
"Bull Zip" leather scraps, steel rods, o-rings
"Untitled Leather Study," leather scrap, steel rods, o-rings

2020

What We Carry (Elephant)

2021

Fake leather bags

Creatures Between Shadow and Space, 2022

Upholster leather, woven leather, braided leather, zippers, glass, chandelier crystals, and steel.

Site-specific installation at The Robin at The Martin, Chicago, IL.

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